Paris: Hachette, Looks at processes of national identification throughout Europe. Considers both popular and art music. In French.
Loos, Helmut, and Stefan Keym, eds. Nationale Musik im Jahrhundert: kompositorische und soziokulturelle Aspekte der Musikgeschichte zwischen Ost- und Westeuropa: Konferenzbericht Leipzig Contains thirty-seven papers from a international conference in Leipzig. Considers national developments from across Europe, especially eastern Europe. Entries in multiple languages, though mostly German, followed by English.
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Steinberg, Michael P. Provides an interpretive framework for largely Austro-German music in the long 19th century. Argues that Wagner nationalized music by making it a discourse of identity rather than subjectivity. Stokes, Martin, ed.
Oxford: Oxford University Press, Eight essays address how musical behavior can construct categories of identity and senses of place. Primarily relevant for ethnomusicology and cultural studies. Considers folk, high art, popular, and non-European songs.
White, Harry, and Michael Murphy, eds. Cork, Ireland: Cork University Press, Shows the great variety of nationalism in art music. Compositions could be appropriated by nationalists or overtly nationalist. Composers could draw from urban or rural sources or be politically left or right. Users without a subscription are not able to see the full content on this page.
The Journal of Nationalism and Ethnicity
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Musical nationalism - Wikipedia
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Introduction During the 18th century, music developed the capacity to articulate nationalism. General Overviews Until recently, very few scholars attempted to address musical nationalism in a transnational context, except as chapters in general surveys. How to Subscribe Oxford Bibliographies Online is available by subscription and perpetual access to institutions. Jump to Other Articles:.
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Related Music Makes the Nation: Nationalist Composers and Nation Building in Nineteenth-Century Europe
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